Lynyrd Skynyrd photo courtesy of AristoMedia.

The crying is over and now it’s time to rock. "We’ve had some really bad moments this year already, and I’m glad we’re able to pick ourselves up by our boot straps and just continue to play," says Medlocke. "For us to weather through this makes this record even more special. I’m sure Billy and Ean are looking down upon us with big smiles."

With noted rock producer Bob Marlette, input from guitarist John 5, and a wealth of material written by the band and a cadre of elite Skynyrd-minded songwriters, a remarkable album emerged. "We never really worked with producers that well, we kind of always wanted to do it our way," admits Rossington. "But Bob Marlette came on and he’s such a great guy; he figured out how to talk to us musically, and we became friends instantly. He had a lot of fresh ideas and ways to do things, and also wanted to capture the old sounds, too."

Of John 5, Rossington adds, "he’s probably one of the best guitar players I’ve ever played with, and I’ve played with a lot of great ones. He just lives with a guitar on him, and he knows that neck like nobody I’ve ever seen."

With a backbone of Southern rock and country, passionate Van Zant vocals, and trademark layered guitars, God & Guns manages to maintain the iconic Skynyrd punch while sounding completely contemporary. Sure to attract attention in these politically divided times is the title track, which harbors a sense of menace and unwillingness to back down that hearkens back to Skynyrd’s earliest days. The band knows the song, and others like "That Ain’t My America," will have their critics, but Medlocke says listeners should get beyond the title.

"It’s not just the words ‘God and guns.’ you gotta look past that and look at what this country was founded on: freedom," Medlocke says. "Everybody should be able to make their own decisions and not be led around by a nose ring and told what to do and when to do it."

And if some critics don’t like it, "that’s called freedom of choice," says Medlocke, who carries his Native American heritage with pride. "I’m sure some critics will look at it, God & Guns, the rednecks are back.’ Well, the guys in this band aren’t rednecks, Rickey Medlocke’s the only damn redneck in this band ‘cause I got red skin."

The title track, along with the unmistakable Skynyrd bite of the first single "Still Unbroken," form thematic songs for an album laden with attitude, heart and purpose. "Skynyrd’s about tradition," says Medlocke. "We are guys that don’t go around preaching about our own personal or political beliefs, although I’m sure you could probably guess mine. In this record is personal tragedy, personal relationships and being on the road, all under that umbrella of real life. That’s what we think, that’s what we believe, and we stand next to that title, God & Guns."

To portray Skynyrd as a bunch of "gun nuts" would be incorrect, according to Van Zant. "I’m kind of like Ronnie, ‘handguns are made for killing,’ and I’ve never seen anybody shoot a deer with a .38," he says. "I do own a bunch of rifles, I live out in the swamp, and you’ve got to protect yourself."

Skynyrd is a band, after all, that has never shied away from standing up and speaking for a segment of the population whose voices are seldom heard. "Everybody’s so scared to say stuff these days, that’s not what I’m about," says Van Zant. "We live in America, we can speak our minds. These are our values. That doesn’t mean we’re always right in everybody’s mind. Hopefully, we don’t offend a bunch of people. And if we do, well, get a record deal, man, and make your own songs."

This is a band well aware of the responsibility that comes with putting the name ‘Lynyrd Skynyrd’ on anything, be it an album or a concert. "We feel like we have to keep the standards high," says Rossington. "I wouldn’t put this record out, I’d fight not to, if I didn’t think it was good."

And so Skynyrd stands, "still unbroken," in 2009. "People may say, ‘they need the money,’ well I don’t think any of us need the money," Van Zant says. "It’s just that we love the music, it’s bigger than the money, it’s not even about that any more. We have to make a living, sure, but it’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music."

Adds Rossington, "We’re still standing, still keeping the music going. We wanted to do the guys who aren’t with us any more proud, and keep the name proud, too."