Sugarland Biography

The Incredible Machine
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Sugarland photo by Dana Tynan, courtesy of UMG Nashville.

In a song like the joyous "Find the Beat Again," for instance, Jennifer reminds the heavy-hearted among us that nothing lasts forever, while Kristian’s siren-like guitar sound—a technique he adapted from The Clash, he says—pushes the song toward its climax.

Or the call-to-arms "Stand Up," in which the band exhorts listeners to "use your voice." A tale of personal empowerment, the track is almost heroic in its message. It’s also one of two songs on the album to showcase Kristian’s voice. "I don’t know how many people have really ever heard me sing before," he says of his lead verse. "For fans of the band, it’s like a whole new layer is peeled back."

"All We Are" is equally triumphant. A rallying cry of sorts, it culminates in a mass of melodies folding upon one another. The result is breathtaking, a musical equation so intricate that it solidifies the duo’s ability to write complex fare as well as breezy, winking tunes like first single "Stuck like Glue."

"We write songs for different reasons. There are some songs that we want to change your life and there are some that we just want to change your day. That’s what ‘Stuck like Glue’ is," Jennifer laughs. "We don’t take ourselves too seriously, and that’s what fans love."

They also flock to Jennifer’s knack for finding the voice of everywoman—or even everyman. One of Sugarland’s many gifts is their ability to write lyrics that transcend gender, like in their 2004 breakout hit "Baby Girl." On The Incredible Machine, the proof is in the acoustic "Little Miss," a profile of a woman who tries to handle everything, all by herself. "I saw my mom as that person. I see pieces of it in my own daughter. Jennifer is certainly one of those women," Kristian says.

Aside from the powerhouse rocker "Wide Open," written specifically for the 2010 Winter Olympic Games, "Little Miss" is one of the record’s earliest penned tracks. "We were at a festival over a year ago and I was on the bus doing my makeup while Kristian was warming up," recalls Jennifer. "I was wearing a checkered dress and he started playing this lick and singing, ‘Little Miss checkered dress.’ I popped my head out and sang, ‘Little Miss one big mess!’ The way that song was discovered was fun and really beautiful."

And the band is confident that fans, old and new alike, will have a similar experience as they discover the gears and cogs of The Incredible Machine—a country record, a pop record, an anthem record, a ballad record, but above all, an authentic record.

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